Jim James Eternally Even

“You can’t build love out of guns and blood and sorrow,” sings Jim James in “Same Old Lie.” It’s one of the standout tracks on the My Morning Jacket frontman’s latest solo album, Eternally Even — an album that’s not afraid to steep itself in the dark side. Where his last solo outing, 2013’s Regions Of Light And Sound Of God, was suffused with delicacy and light, Eternally Even is gritty and grim. “Same Old Lie” is more than a lament about the state of our violent, fearful world; in it, James croons in a husky whisper about hatred and decay as drifting strings and a raga-like coda drone menacingly around him.

The rest of the album follows suit. James, however, takes all that foreboding and makes it funky. “Hide In Plain Sight” is saturated in weird, raw textures, with distorted organs oozing everywhere. “You don’t know, you can’t see, you ain’t right / Did you think you could hide in plain sight?” sings James with bloodshot awe, like he’s lying in a warm pool and gazing up at a solar eclipse. Deep and mournful, the song has an R&B vibe that’s undeniable, even as James pushes his grooves into the red. The album’s funkiest track, “In The Moment,” may ride on slapped bass and a fat, brass-spiked chorus, but it meanders around in a pensive haze: half Marvin Gaye, half Leonard Cohen.

That said, there are instances of lightness on Eternally Even. Okay, there’s one instance: “Here In Spirit” not only cracks the blinds a bit, it lets in a lively beat, huge hooks and an airy clarity. It’s a refreshing break from the oppressive intensity of the rest of the album; James coughs up his gravel and adopts a higher, sweeter tone, and he even goes so far as to urge, “Believe what you want / Go on, be who you are.” A layer of shadow still lurks around the edges, but for the most part, “Here In Spirit” is the burst of pop sunlight that helps illuminate Eternally Even‘s moodier, murkier moments.

Eternally

But the sunlight quickly passes. “We Ain’t Getting Any Younger” is a nine-and-a-half-minute song split into “Pt. 1″ and Pt. 2” and situated squarely in the middle of the album. “Pt. 1” is instrumental; “Pt. 2” has vocals. Taken together, they’re a crumbling monument to mortality. Amid throbbing rhythms and sultry, atmospheric melody, James ruminates on how “Seasons changed / Time got strange / Fell off the edge of the world” before softly delivering the ultimate blow: “Time’s your oyster / But the grave’s always getting closer.” He comes across as a mystic, a doomsayer, a hypnotic reminder of the end we can’t escape. At age 38, and with the steady success of My Morning Jacket at his back, James is already feeling the quiet pressure of death. Consummate singer-songwriter that he is, though, he’s spun that into another batch of arresting, soulful and, at times, transcendent tunes.

Eternally
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Hide in Plain Sight

Jim James Eternally Even

Jim james eternally even vinylJim James Eternally Even

My Morning Jacket frontman Jim James is back with his second solo release, Eternally Even.Purposefully timed to coincide with the giant shit-show otherwise known as the 2016 presidential election. My Morning Jacket frontman Jim James’ release Eternally Even, the follow up to his critically acclaimed 2013 solo debut, Regions of Light and Sound of God. Produced by Grammy-nominated Blake Mills.


Artist: Jim James
Album: Eternally Even

Jim James Eternally Even Vinyl

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Tracklist

Overview

Jim James Eternally Even Vinyl

My Morning Jacket frontman Jim James released the completely self-produced Regions of Light and Sound of God in 2013, a wildly optimistic, even giddy record filled with all manner of song forms, tempos, and production styles. Three years later, he delivers the other side of the coin. Eternally Even couldn't be more different -- at least musically. It lacks the reckless randomness of its predecessor, and by contrast, it is measured, focused, even subdued in places. James co-produced this set with Blake Mills. Between them, they cover a lot of instruments, but also enlist a fine cast of studio players who include drummers Chris 'Daddy' Dave and Brian Reitzell, string master Rob Moose, and vocalist Shungudzo Kuyimba. Drummer Jim Keltner makes a guest appearance, as does New Orleans jazz legend, saxophonist Charlie Gabriel. The music here emerges from spacy psychedelia, jazzy, multi-textured, 21st century soul, and moody nocturnal funk infused with measured indie pop cool. The brooding opener, 'Hide in Plain Sight,' offers an instrumental intro with a jagged solo guitar and a harmonic, funky bassline. James' lyrics juxtapose the tensions of the times as spiritual optimism meets the grittiness of physical reality. Kuyimba's harmony vocals function as counterweights to James' weary delivery; the drummers maintain a limber groove as spectral synths litter the margins. 'Same Old Lie' seemingly follows suit; its lyric, initially, is an indictment of the myths offered by religious leaders and politicians. All three drummers deliver alternate shuffling hip-hop vamps tempered by layers of cinematic strings and synths. But James shifts his words and they become a paean to resistance, a commitment to lived truth. An organ explores Middle Eastern modes as hand drums emerge to cap it. Almost throughout, James offers darkly tinged music using minimal melodies to frame lyrics that refuse to surrender. The emotion in his words -- and his vocals -- almost breaks through on 'Here in Spirit.' Despite the tune's lithe, shimmering R&B, it has more than a little in common with the Talk Talk of Spirit of Eden.The two-part 'We Ain't Getting' Any Younger' offers a long, proggy instrumental intro that gives way to a funky exhortation to '…forget this ever happened/And let a new world start again/Peace ripped into pieces/We gotta put it back together again.' 'True Nature' offers a respite from the shadows with a swinging Nelson Riddle-esque horn chart, which gives way to spiky, nocturnal funk. 'In the Moment' is a dubby, funky pop tune, with Gabriel's multi-tracked saxophones and a trumpet adding earthy jazz to the drifting strings and synths sonic. The title-track closer is an airy, almost pastoral ballad about emerging from lost love without regret or recrimination. Those seeking the wacky thrills of Regions of Light and Sound of God might be surprised -- or even put off at first -- but closer listening reveals the poignant and provocative Eternally Even as a stronger, deeper album. [Eternally Even was also released on LP.]